Ernest Borgnine dead at 95

[American Patriot]

Ernest Borgnine called his last film 'a wonderful piece of work'

Ernest Borgnine stars in "The Man Who Shook the Hand of Vicente Fernandez." (Newport Beach Film Festival / July 8, 2012)

Related photos »

• Photos: Ernest Borgnine | 1917-2012
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• Photos: Notable deaths of 2012

By Danielle Paquette July 9, 2012, 7:00 a.m.

In his last project, Ernest Borgnine played a grumpy old man, bitter for never achieving fame ... the polar opposite of the actor's long-enduring reality in the Hollywood spotlight.

"The Man Shook the Hand of Vincente Fernadez" premiered at the Newport Beach Film Festival in May, where a grinning Borgnine took home the fest's Outstanding Achievement in Acting award.

"I gotta tell you, he wrote me a letter that absolutely made me do it," he said, passing credit to director Elia Petridis. "And it's so beautiful, so lovely . . . isn't it?"

PHOTOS: Ernest Borgnine | 1917-2012
Borgnine, who died Sunday at 95, enjoyed a seven-decade-long career, earning an Oscar for his role in 1955's "Marty" and winning young hearts as the elderly superhero "Merman" on Nickelodeon's "Spongebob Squarepants."

He appeared on a "Saturday Night Live" "What Up With That?" segment in 2010, periodically whispering to Morgan Freeman and blowing kisses to the audience.

He spent the final year of his life working, perfecting a character who suffers a stroke, lands in a nursing home staffed by Latin American immigrants and eventually earns celebrity-like recognition among employees for his brush with an idolized Mexican singer.

On stage, after the film’s first official screening, Borgnine kept attention directed to the much younger Petridis.

"It's just a wonderful piece of work, and I can’t take credit for this," he said. "It's his idea, his baby ... and I gotta tell you, he was having a lot of trouble tonight, but he is so happy you like it."
Acting was Borgnine's fountain of youth. At the 2011 SAG Awards, he told the Los Angeles Times that retirement was never a priority, not even a desirable outcome.

"Of course, I plan to keep going!" he said, nudging his wife, Tova. "We need the money, right?"
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[American Patriot]

Ernest Borgnine

Ernest Borgnine, the actor, who has died aged 95, was one of Hollywood’s most popular villains.




11:43AM BST 09 Jul 2012


Once described as having “an executioner’s grin”, he specialised in playing sadistic bullies, and is best remembered for performances such as the brutal sergeant Fatso Judson in From Here to Eternity (1953) and an ageing outlaw in Sam Peckinpah’s bloodthirsty epic The Wild Bunch (1969).

Ernest Borgnine





Off-screen Borgnine was a mild-mannered man given to bouts of domestic cleaning. “My mother made me do all the housework as a boy,” he once recalled. “I still do it, even in hotels. To this day I clean better than most maids.”

He married five times, but his liaisons were notoriously unsuccessful — none more so than his 39-day marriage to Ethel Merman. After his fourth, in 1965, Borgnine was accused by his estranged wife Donna Granoveci of plotting to murder her and of hiring two “hit men” to carry out the plan.

In his later career Borgnine appeared in a series of substandard “disaster movies” (invariably playing similar roles). These included The Neptune Factor (submariners trapped after deep sea earthquake), Fire (villagers trapped by forest fire) and When Time Ran Out (villagers trapped after volcanic eruption).

Ermes Effron Borgnine was born on January 24 1917 at Hamden, Connecticut, the son of Italian immigrants originally called Borgnino. His mother was an impoverished Italian countess, the daughter of a one-time financial adviser to King Victor Emmanuel of Italy.

After leaving his school in New Haven, Connecticut, he joined the Navy for a six-year term, but in the event served for 10. He re-enlisted in 1941 and spent the rest of the Second World War as a chief gunner’s mate serving in battleships in the South Pacific.
Borgnine recalled developing a strong interest in air conditioning during the war and started a correspondence course in air conditioning maintenance. “It was so hot on those ships all you could think about was cool,” he remembered. “You used to have to stand on planks because the iron on the decks got red hot.”
In 1945 he was demobilised and returned to New Haven. “I kind of lost interest in air conditioning as winter drew on,” he remembered, “and I felt too old at 28 to study.” Uninspired by the prospect of work at the local factory, Borgnine described himself “mooning around and scratching my neck and pacing up and down”. His mother suggested he take up acting as a legitimate way of “making a fool of himself”. Borgnine duly won a place at a drama school 40 miles from New Haven and spent the next year commuting for six hours a day. “I had to get up at 7am to get to school,” he recalled, “and then I didn’t get home until two the following morning.”
After a year he joined a travelling repertory company which toured the United States. In an average year the company covered 30,000 miles. After making his Broadway debut in a six-week run of Harvey, Borgnine returned to the touring company. “It was the right move,” he maintained. “We were invited to Denmark and were the first American company to perform Hamlet at Elsinore.”
In the early 1950s Borgnine moved to Hollywood where, after several minor film roles, he gave an excellent performance as the sadistic Fatso Judson in From Here to Eternity (1953). He followed this with another memorable appearance, as the snakelike villain in Bad Day at Black Rock (1954), taunting the one-armed Spencer Tracy.
His sensitive portrayal of a loveless butcher in Marty (1955) brought him film star status. Written by Paddy Chayefsky and directed by Delbert Mann, the film won Oscars for best actor (Borgnine), best director, (Mann) and best screenplay (Chayefsky). Borgnine recalled that he was appearing in a Western when Delbert Mann auditioned him (against type) for the part. “He came on set and heard me read,” Borgnine remembered. “He told me later that he was really moved because I cried when I read it. He liked the idea of this big tough guy crying.”
Borgnine followed his first major success with two more leading roles. He was perhaps ill-advised in his choice of scripts, making little impact in The Best Things In Life Are Free (1956) and Wedding Breakfast (1958). The former dealt with the biographies of songwriting trio De Sylva, Brown and Henderson; the latter (co-starring Bette Davis) told the story of a family preparing for a wedding. Later the same year he appeared (opposite Kirk Douglas and Tony Curtis) as the rotund warrior Ragnar in The Vikings.
Borgnine married his second wife, the actress Katy Jurado, in 1960 (he had divorced Rhoda Kemins in 1958). Friends described his second marriage as “volatile at best” and remembered the Borgnines’ first anniversary party as “a fiasco”. Guests were surprised to see their hosts quarrelling openly, and the party ended abruptly after Jurado accused Borgnine of having an affair.
In 1961 Borgnine was cast in the unlikely role of Gina Lollobrigida’s father in Go Naked into the World. He followed this with Barabbas (1962), starring Anthony Quinn. Katy Jurado also appeared in the film, and Borgnine later claimed that his marriage had not been helped by watching Quinn and Jurado together on screen.
In 1963 he met Ethel Merman, to whom he became “instantly attracted”. He separated from his wife and proposed to Merman only four weeks after their first meeting. In 1964 he and Jurado divorced, and he married Merman later that year in an elaborate wedding ceremony attended by 500 guests. Prior to their marriage Ethel Merman claimed that she had “never felt so protected, this is forever, for keeps”. Borgnine rejected suggestions that the age difference (Merman was 10 years his senior) would affect their relationship.
After a honeymoon in Japan the couple returned to the United States, where they separated after only a month of marriage. Merman immediately divorced Borgnine, claiming that she had suffered “extreme mental cruelty”. In her memoirs, Merman covered the marriage by leaving two pages blank. Within a year, Borgnine was married to 37-year-old Donna Rancourt.
Throughout the 1960s Ernest Borgnine seemed undiscriminating in his choice of roles, accepting good and bad scripts with equanimity. He appeared in the below average McHale’s Navy (1964, based on a television series); Robert Aldrich’s Dirty Dozen (1967), filmed partly in Hertfordshire; Seduction in the South (1968), an Italian-made Western; and Ice Station Zebra (1969). He also starred in Sam Peckinpah’s excellent epic The Wild Bunch (1969).
During the early 1970s Borgnine appeared almost exclusively in Westerns, starring in The Adventurers (1970), set in a South American republic; A Gunfight (1971), in which he was cast against type as a brave farmer shot by Kirk Douglas; and Hannie Caulder (1971), in which he was back in type as a murderer and rapist.
After a reunion with Bette Davis (as a pair of ageing bank robbers disguised as hippies) in the forgettable Bunny O’Hare in 1972, Borgnine accepted a role in The Poseidon Adventure, one of the long series of “disaster movies” in which he appeared during the Seventies and Eighties. Borgnine and an all-star cast (including Gene Hackman, Red Buttons, Roddy McDowell and Shelley Winters) spent two hours fighting their way through the sinking wreckage of an ocean liner.
He followed this with another underwater disaster film, The Neptune Factor (1973). Despite two changes of name — to Underwater Odyssey and The Neptune Disaster — the film failed to make a success at the box office and was accused by critics of duplicating the plot of Marooned.
When not appearing in disaster movies, Borgnine continued to play what he described as “tough guy” roles. In 1975 he starred in the bizarre Sunday in the Country as an insane, Bible-quoting hillbilly who captures and tortures a group of bank robbers. Later that year he and Carol O’Connor starred as a pair of vigilante policemen in Law and Disorder. In Hustle (1976), Borgnine was promoted to police chief, and he attained centurion status in Zeffirelli’s Jesus of Nazareth (1977).
In 1977 Borgnine returned to familiar territory with an appearance in the turgid Fire. Critics complained that the film relied almost entirely on library footage of forest fires and failed to create suspense. After a brief interlude as the sheriff in Convoy — Sam Peckinpah’s celebration of truck drivers and their vehicles — Borgnine returned to disaster films with an appearance in Black Hole (1979) , about a spaceship sucked towards oblivion by a black hole .
Throughout the 1980s Ernest Borgnine maintained his interest in action films. He appeared as the violent leader of a strange religious cult in Deadly Blessing (1981) and followed it later the same year with High Risk. He went on to star in a series of “teen exploitation pictures” — violent films such as Hollywood Hookers (1982), Graduates of Malibu High (1982) and Young Warriors (1983) .
After a brief interlude in comedies , Borgnine returned to action films with a series of starring roles in The Dirty Dozen: The Next Mission (1985); Codename: Wildgeese (1986); The Dirty Dozen: Deadly Mission (1987); and The Dirty Dozen: Fatal Mission (1987).
His work rate was prodigious. In 1989, at the age of 72, he appeared in six different films, with titles including Tides of War, Laser Mission and the Real Men Don’t Eat Gummy Bears. In 1990 he starred in the television film Appearances and in 1991 was in Moving Target. Towards the end of the decade he became the voice of Mermaid Man in the children’s animation SpongeBob SquarePants.
One of his last roles was a bit part as a CIA records-keeper in the action comedy Red (2011) .
Borgnine was an active Freemason, and held the 33rd degree of the Scottish Rite of Masonry as well as the Grand Cross, the highest honour for service to the Scottish Rite.
He was 88 when he gave up driving the bus in which he enjoyed touring the United States, stopping to talk with locals along the way.
With his first wife, Rhoda Kemins, Borgnine had a daughter . With Donna Rancourt, he had a son and two daughters.
In 1973 he married Tova Traesnaes, who survives him with his four children. Not only did his fifth marriage endure, it also brought with it an unusual business partnership: she manufactured and sold beauty products under the name of Tova and used her husband’s rejuvenated face in her advertisements.
Ernest Borgnine, born January 24 1917, died July 8 2012

[American Patriot]

Ernest Borgnine, Star Of Marty And McHale's Navy, Dead At 95


published: 2012-07-09 07:20:36 Author: Katey Rich


Ernest Borgnine, the Oscar-winner who defined a certain type of well-meaning middle-class guy with 1955's Marty, died yesterday at the age of 95. He acted in over 200 movies, starting with 1951's China Corsair, in which he improbably played the Chinese owner of a gambling club. But his movie career only started after 10 years in the Navy, an experience he credited in this fantastic interview with the AV Club with helping prepare him for the movie industry: " That’s what makes a good football team, too. The idea of pulling all together, and off you go. It’s the same way with motion pictures, in my estimation."

There are hundreds of excellent remembrances of Borgnine on the web today, and practically all of them focus on a different role he played, because there's so many to choose from-- the taxi driver in Escape From New York? The main character on the TV show McHale's Navy? The voice of Mermaid Man on SpongeBob SquarePants? Given my job and when I grew up, though, my clearest memory of Borgnine comes thanks to one of his more forgettable movies, 2010's Red. The movie about older spies getting back together for one last gig made room for Borgnine in a small cameo, though one that he owned with every bit of charisma he'd been showing for decades. It was the kind of small part that usually doesn't get you on a press tour, but Borgnine was there at the junket for Red anyway, holding court at a press conference in the basement ballroom at a Manhattan hotel. You can challenge me on the facts, but I swear to God he talked for an hour.

It's something of a cliche to talk about how much "life" an older person still had, or how they seemed to have let go of all the hang-ups and insecurities that hold back those of us who are younger. But how else to describe the presence Borgnine had at that press conference, cracking jokes even after interviewers needed to repeat the question a few times, happily taking questions about all of his older roles and seeming to marvel, right along the rest of us, that he was still around to tell these stories at all. In the final years of his career Borgnine starred in a blockbuster (Red), got an Golden Globe nomination (for the Hallmark TV movie A Grandpa for Christmas), appeared in a goofy comedy about a search for Bigfoot (Strange Wilderness), and notched 19 screen credits over a five-year period. And what have you been up to all this time?

Ernest Borgnine didn't live a life-- he lived something like eight of them. He's a force in movies who can never quite be replaced, a relic from another time who managed to be vital until the last moments of his life. He'll be missed terribly.